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Formants are the distinguishing or meaningful frequency components of human speech and of singing. By definition, the information that humans require to distinguish between vowels can be represented purely quantitatively by the frequency content of the vowel sounds. In speech, these are the characteristic partials that identify vowels to the listener. Most of these formants are produced by tube and chamber resonance, but a few whistle tones derive from periodic collapse of Venturi effect low-pressure zones. The formant with the lowest frequency is called f1, the second f2, and the third f3. Most often the two first formants, f1 and f2, are enough to disambiguate the vowel. These two formants determine the quality of vowels in terms of the open/close and front/back dimensions (which have traditionally, though not entirely accurately, been associated with the position of the tongue). Thus the first formant f1 has a higher frequency for an open vowel (such as [a]) and a lower frequency for a close vowel (such as [i] or [u]); and the second formant f2 has a higher frequency for a front vowel (such as [i]) and a lower frequency for a back vowel (such as [u]).Vowels will almost always have four or more distinguishable formants; sometimes there are more than six. However, the first two formants are most important in determining vowel quality, and this is often displayed in terms of a plot of the first formant against the second formant, though this is not sufficient to capture some aspects of vowel quality, such as rounding.

Nasals usually have an additional formant around 2500 Hz. The liquid [l] usually has an extra formant at 1500 Hz, while the English "r" sound ([ɹ]) is distinguished by virtue of a very low third formant (well below 2000 Hz).

Plosives (and, to some degree, fricatives) modify the placement of formants in the surrounding vowels. Bilabial sounds (such as 'b' and 'p' as in "ball" or "sap") cause a lowering of the formants; velar sounds ('k' and 'g' in English) almost always show f2 and f3 coming together in a 'velar pinch' before the velar and separating from the same 'pinch' as the velar is released; alveolar sounds (English 't' and 'd') cause less systematic changes in neighboring vowel formants, depending partially on exactly which vowel is present. The time-course of these changes in vowel formant frequencies are referred to as 'formant transitions'.

If the fundamental frequency of the underlying vibration is higher than a resonance frequency of the system, then the formant usually imparted by that resonance will be mostly lost. This is most apparent in the example of soprano opera singers, who sing high enough that their vowels become very hard to distinguish.

Control of resonances is an essential component of the vocal technique known as overtone singing, in which the performer sings a low fundamental tone, and creates sharp resonances to select upper harmonics, giving the impression of several tones being sung at once.

Spectrograms are used to visualise formants.

 

 
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Keywords
Vocal  Formants  acoustics  spectrogram  
 
 About This Video
 
 Subject Music
 Category Demonstration
 Duration 00:08:00
 Views 3599
 Added 12-11-09
 Contributor    reberg
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